The lines from the eyes towards the forehead (vertical frowning wrinkles) and the naso-labial ('nose-lip') fold are therefore sharp in the direction of the nose and more blurred towards the outside. The naso-labial fold is easier to locate if one grimaces. The length of this line also determines the character to be made up (the longer, the more severe).
Bags under the eyes are sharp on the lower side and must be faded towards the upper side. The parts of the face that have not been shaded now seem to have been brought forward.
Please note: there is a tendency to draw in all the lines (wrinkles, crow's feet) when doing the make-up. When used for large distances (theatre, opera) it is advisable not to do this. These smaller lines will not be noticed, even from a short distance away and will appear dark smudges from a larger distance.
Place shadowlines near the neck from the corners of the jaw. These lines nearly come together at the neck. Between the lines you can lighten if needed. If the non-shaded parts are lightened, this will enhance the effect of bringing those areas "forward".
Apply white make-up to the higher parts of the forehead, above the temple, next to the frown wrinkles on the wings of the nose and on top of the nose. The eyebag is also lightened a little.
Between the higher parts of the brow some subtle shadowing is done to generate more depth.
By lightening below the chinline, you suggest a sagging jawline and/or a double chin.
